texchan: fraser, from due south, in a closet (fraser closet)
This afternoon, I spent some time reading Safekeeping, by Abigail Thomas. I sat, first in my office -- with my computer cursor blinking at me, as if it could encourage me to put my own words onto the screen before me, and then in the kitchen as my daughter ate her dinner, sang a few silly songs, and the day faded into night. And, as always, I found myself lost -- happily so -- in Ms. Thomas's words. In the small glimpses she showed me of her life. In her thoughts and hopes and dreams and even her sorrows. I lost all track of time. Dishes went unwashed. Bathtime was delayed. Fae had to remind me, more than once, that it was time for her dinner. I could not stop -- did not want to stop -- until I had read each and every word. Until I had flipped the last page and could, finally, lay the book aside with a small, contented sigh.

I don't know what it is about her books and, in particular, her writing. In general, I'm not a fan of memoirs. And yet, I simply love Ms. Thomas's writing. Her depictions. The life she has managed to live through. It makes me laugh. And cry. It touches my heart, in more ways than one. It's like her words crawl into me and come to life.

And I can't help wondering: When will I be able to do that? Will I ever be able to do that? Or my favorite: Why can't I do that?

And I set the book aside, satisfied and happy to have read it. But, at the same time, sad, too, because maybe I've found my own limitations.
texchan: aya with his bazooka, from WK OP #2 (Shido Car Cel)
New Moon, by Stephenie Meyer


Book Read: June 2007

Edward stood, motionless as a statue, just a few feet from the mouth of the alley. His eyes were closed, the rings underneath them deep purple, his arms relaxed at his sides, his palms turned forward. His expression was very peaceful, like he was dreaming pleasant things. The marble skin of his chest was bare -- there was a small pile of white fabric at his feet. The light reflecting from the pavement of the square gleamed dimly from his skin.

I'd never seen anything more beautiful -- even as I ran, gasping and screaming, I could appreciate that. And the last seven months meant nothing. And his words in the forest meant nothing. And it did not matter if he did not want me. I would never want anything but him, no matter how long I lived."


~New Moon, Stephenie Meyer

So ... New Moon ... the sequel to my much-beloved Twilight. This book makes it hard for me to summarize my own thoughts in a coherent manner. I don't quite know where to start, so I guess I'll just jump right in with little to no preamble.

I guess a bit of a summary is in order. After the events in Twilight, New Moon opens in a fairly conventional way -- one that we would expect. Edward and Bella are still together, still very much in love -- that kind of love where you hear birds singing all the time and the world seems to hold an extra bit of sparkle. In short, "young love". It's the perfect fairy tale, except for the fact that she is human and he is a vampire. Even that doesn't seem to stop them, but, sadly, real life intrudes. A frightening incident occurs at the beginning of this story, leading Edward to a heartbreaking decision. He must leave Bella. For her own good. He does so, throwing Bella into something akin to the firey pits of her own personal hell. Slowly, she manages to pull herself out of the depression. Sort of. She knows life will never be the same, but she tries to go on. She eventually befriends one of the Native American teenagers on the nearby reservation. His father and Bella's father are old friends -- so close to each other that they are practically family. This friendship seems to help Bella recover, until she realizes that her new friend carries a very dark secret -- one that might destroy them both. Add that to the fact that Bella seems to be a veritable magnet for doom and disaster, and, then, Edward's reappearance, and you have the recipe for a very entertaining and enjoyable story, indeed.

I need to say, up front, that New Moon both enchanted and infuriated me. Never have I so enjoyed a book that I also found so terribly tedious at times. I tore through the first book -- quite literally -- reading it in only two days. This might not be fast for some people, but it is for me. Especially since I currently have houseguests, home renovations, and a toddler with which to contend. Needless to say, I can't exactly spend every moment of the day reading. But this was exactly what I did with Twilight. Literally, I could not put that book down.

I was expecting the same with New Moon, but it wasn't the case. I still managed to get through it in a bit under a week, but it took me a lot longer, and it felt more like slogging through something because I had to, rather than because I wanted to. I'm not sure this makes much sense, so let me say again: Overall, I enjoyed this book. A Lot. But not as much as Twilight.

I think the stumbling block in this book, for me, was that Edward was so very, very absent for most of it. I hadn't realized how attached I had become to him as a character. He and his family are so very interesting and complex. So very entertaining. Unfortunately, when he took his leave of Bella, he also took his leave of the story, since the tale is told through Bella's eyes and voice. It's not that I strictly dislike Bella. It's more that I don't care as much about her. She spends a lot of time moping in this book, which is understandable. And a lot of time trying to spring back into some form of a life, which is also understandable. But, she uses her new-found friend and the feelings he has for her as a crutch. A way to make herself feel better about life. Until she feels she can't get through a day without this friend who has come to mean so much to her. And, this, I did not like. On a couple of levels. For one thing, it seemed cruel and very selfish -- two things I would not have expected from Bella. For another, it almost seemed like a betrayal of the way she feels for Edward. If she loves him ... if he is her destiny ... if she truly believes he is the only one in the world for her ... how can she even think about starting over with someone new? Although I figure I am probably being unfair to poor Bella -- after all, it is entirely human to want to go back to "normal", even when you know "normal" is totally out of reach -- I have to admit that these things irritated me. Also, to me, Bella just isn't a very interesting character. I have a hard time figuring out what the attraction is about her. Why all the supernatural beings around her want to spend their time saving her. So often, it seems like they would be better off just making her into a snack pack and being done with the whole thing. Often, the most interesting thing about her is her relationship with Edward. There was just enough of that left, albeit one-sided from her point of view, to hold my interest through the vast majority of this book. At least, until page 452, which is where Edward, finally, makes his entrance back into the story. And, I can tell you -- never have I been so very glad to see a fictional character. Well, you know, figuratively speaking, of course.

All in all, I enjoyed New Moon. I thought the pacing was good. The plot was enjoyable. And the book is easy to read. Even with Edward's absence and Bella's more irritating qualities, it was a story that drew me in. At the same time, I liked Twilight so, so much more. I think I could have loved New Moon just as much, if only it had contained more of the friendly vampires I had come to love through the first book. I believe I felt their absence almost as keenly as Bella did.

X-posted to GJ
texchan: aya with his bazooka, from WK OP #2 (Shido Car Cel)
My last overly tardy "book report" for today. This one is less tardy than the others, as I just finished this book yesterday.

Twilight, by Stephanie Meyer


Book Read: June 2007

About three things I was absolutely positive.

First, Edward was a vampire.

Second, there was a part of him -- and I didn’t know how dominant that part might be -- that thirsted for my blood.

And third, I was unconditionally and irrevocably in love with him.

~Twilight, by Stephanie Meyer


I can’t think of any passage that sums up “Twilight” better than the one quoted above. Part vampire love story, part page-turning suspense/thriller, I found this novel to be a fun and delightful read -- although, in all honesty, I came to the end of it and closed the back cover wondering what, exactly, it was about this book that had me devouring pages like some rabid badger on a bender. To give you some idea, the book is 498 pages. I read it in two days. I, literally, could not put the darn thing down. The story and characters drew me in that much, even though, looking back on it, I don’t know why.

Read more... )
texchan: aya with his bazooka, from WK OP #2 (Default)
Yep, another tardy "book report".

Persuader, by Lee Child


Book Read: June, 2007

Time stood still.

I stared at the cop. He was on his back in the gutter. His whole chest was a mess of red. It was all over him. There was no welling or pumping. No sign of a heartbeat. There was a big ragged hole in his shirt. He was completely still. His head was turned and his cheek was hard against the blacktop. His arms were flung out and I could see pale veins in his hands. I was ware of the blackness of the road and the vivid green of the grass and the bright blue of the sky. I could hear the thrill of the breeze in the new leaves over the gunshots sill roaring in my ears. I saw the skinny kid staring out through my van’s windshield at the downed cop and then staring at me. I saw the college security cruiser coming left out of the gate. It was moving slower than it should have been. Dozens of shots had been fired. Maybe they were worried about where their jurisdiction began and where it ended. Maybe they were just scared. I saw their pale pink faces behind their windshield. They were turned in my direction. Their car was doing maybe fifteen miles an hour. It was crawling straight at me. I glanced at the gold shield in the gutter. The metal was worn smooth by a lifetime of use. I glanced at my van. Stood completely still. One thing I learned a long time ago is that it’s easy enough to shoot a man. But there’s absolutely no way to unshoot one.

Jack Reacher, “Persuader” by Lee Child


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texchan: aya with his bazooka, from WK OP #2 (Manga Yohji Smoke)
"God bless you, Will," Thomas said, then he scrambled out of the grave and he filled it in, though he kept pausing in hope that Will's eyes would open, but of course they did not and Thomas at last wept as he shoveled earth onto his friend's pale face. The sun was up by the time he finished and women and children were coming from the town to look for plunder. A kestrel flew high and Thomas sat on the chest of coins and waited for Robbie to return from the town.

He would go south, he thought. Go to Astarac. Go and find his father's notebook and solve its mystery. The bells of La Roche-Derrien were ringing for the victory, a huge victory, and Thomas sat among the dead and knew he would have no peace until he had found his father's burden. Calix meus inebrians. Transfer calicem istem a me. Ego enim eram pincerna regis.

Whether he wanted the job or not he was the King's cupbearer, and he would go south.


Thus ends Vagabond, the second book in Bernard Cornwell's Grail Quest series. This book finds our hero, Thomas of Hookton, a bit older, a lot wiser, still as brave and foolhardy as ever, and still seeking something he doesn't quite believe exists. Poor Thomas goes through a lot in this book. The Grail, apparently, is not kind to those who seek it. It forces them to pay a very dear price, and Thomas is no exception. He loses much of what brings meaning to his life; he experiences the most profound grief, followed by the most profound hatred and rage; and he suffers at the hands of the Inquisition. And, yet, he comes through it all with his sanity and his determination intact. He moves from disbelief in the Grail's existence to believing in it but desperately not wanting to find it to, at last, accepting the task Fate seems to have laid upon his shoulders. He might want to be an archer in the King's army, and nothing more. But, in reality, he serves a much higher master -- a truth which Thomas is only beginning to accept at the end of this book. Even so, as the closing sentences played out on the page, I sensed a grim determination about Thomas. By the time Vagabond plays out, he is no longer a boy; he is a man, and ready to take on the task laid before him.

As with all of Mr. Cornwell's works, this book was a joy to read. I have to admit I had a hard time identifying with Thomas in the first book of this series. He was likeable enough, to a point, but I never felt there was anything noble about his character. For me, those feelings changed as Vagabond played out. By the end of this book, I had become quite fond of Thomas, and I was able to see the glimpses of true strength and nobility within his character -- things that were there, all along, but had remained hidden until circumstances brought them out. I can't help but admire Mr. Cornwell's skill in creating such a believable, multi-faceted character and in revealing Thomas to us slowly, one layer at a time. At times, it was a bit frustrating, but, in the end, everything fit perfectly together and left me feeling immensely satisfied with this book. I'm looking forward to continuing the quest with Thomas in the next novel.
texchan: aya with his bazooka, from WK OP #2 (Aya Gluhen Rilezu)
The charge was nearing the line of those Genoese who had died in the arrow storm. To Thomas, staring down the hill, the attack was a flurry of garish horse trappers and bright shields, of painted lances and streaming pennants, and now, because the horses had climbed out of the wet ground, every archer could hear the hooves that were louder even than the enemy's kettledrums. The ground was quivering so that Thomas could feel the vibration through the worn soles of his boots that had been a gift from Sir Guillaume. He looked for the three hawks, but could not see them, then forgot Sir Guillaume as his left leg went forward and his right arm hauled back. The arrow's feathers were beside his mouth and he kissed them, then fixed his gaze on a man who carried a black and yellow shield.
~ The Archer's Tale, Bernard Cornwell


The Archer's Tale, the first book in Bernard Cornwell's Grail Quest Series, opens with the sacking of Hookton, a small English village, on Easter eve, 1342. During this raid, the village's holy relic, The Lance of St. George, is stolen by a mysterious man wearing black armor. The main character, Thomas, who is the bastard son of Hookton's priest, is the only survivor. He was never fond of his father, but, during the early morning hours after the attackers withdraw from Hookton, he finds himself kneeling next to his dying father, promising to avenge his death and retrieve the holy relic stolen from Hookton. It is a promise Thomas will come to regret, but on that spring day, it seems an easy enough vow to make to comfort a dying man.

The problem, Thomas quickly realizes, is that he has no idea who took the lance, no idea where it was taken, and no idea how to find it. He doesn't even know where to start looking. Instead, he joins a band of archers and goes off to war, fulfilling his dream of becoming an archer, fighting for England against the French.

Thomas quickly forgets his vow. He loves his work, and he loves the chaos and destruction of war. But, his vow was more than just a promise made to his dying father; it was a promise to God, and such vows have a way of sticking to you, no matter how much you wish otherwise ... as Thomas quickly learns.

Yep, I'm back with yet another historical novel. Looks like these might be my "thing" for the spring, or something. And, for historical fiction, I really can't think of any author I'd rather spend time with than Bernard Cornwell. And, I have to say, The Archer's Tale did not disappoint.

I liked the book quite a lot, although it took me longer to get into the story than was the case with his Saxon Novels. I have to admit that, at first, I did not like Thomas. He is a complex character, and, to me, it was difficult to feel like I knew him or could identify with him. The story is action-packed, and Mr. Cornwell has this ability of making the places come to life and the battle scenes scream off the page. I felt as if I was sitting in the middle of all of it, hearing the clash of sword on sword, the thumping of hooves, the screams of the men. Sights, sounds, and smells are all written with such vivid clarity that I found myself drawn into the story, despite my lack of empathy for Thomas.

By the midpoint of the novel, though, I realized I had sold Thomas a bit short. Yes, it was hard to feel that I knew or understood him as a character. And, yes, that made it difficult for me to identify with him. But, this came to make sense as I realized that Thomas wasn't hiding from me ... he was hiding from himself. As the novel progressed, I saw Thomas mature as a person, an archer, and a soldier, and I also saw him come face-to-face with his own life and the quest laid upon him. Needless to say, by the end of the book, I came to admire and appreciate Thomas as a complex, multi-dimensional character, and I am looking forward to reading the rest of this series.
texchan: aya with his bazooka, from WK OP #2 (Manga Yohji Smoke)
They were terrible things, those hounds. They were beasts from the world's chaos, trained only to kill, and Thyra drove them on with her high, wailing cries, and the shield wall broke long before the dogs arrived. The men ran, scattering across Dunholm's wide summit and the dogs followed them. A handful, braver than the rest, stayed at the gate and that was where I now wanted to go. "The gate!" I shouted at Thyra, "Thyra! Take them to the gate!" She bagean to make a barking sound, shrill and quick, and the hounds obeyed her by running toward the gatehouse. I have seen other hunters direct hounds as deftly as a horseman guides a stallion with knees and reins, but it is not a skill I have ever learned. Thyra had it.
~Lords of the North, Bernard Cornwell


Lords of the North opens with Uhtred, once again, taking his leave from Alfred. In this instance, "taking his leave" entails burying his hoard on the paltry estate with which Alfred rewarded him after the events of Pale Horseman and, then, running away under the cover of darkness. Needless to say, Uhtred has decided that he will, once again, be the captain of his own fate, no matter what Alfred might have in store for him.

Accompanied by Hild, a former nun who is now his woman, Uhtred goes north, returning to Northumbraland. It is the place of his birth, the place where his traitorous uncle still holds the fortress and estate that is Uhtred's birthright -- an estate Uhtred has sworn he will, one day, recover for himself and his descendants -- and a place where Uhtred has unfinished business. The killing kind of business. And, so, tired of living under Alfred's yoke and resentful that Alfred refuses to acknowledge Uhtred's contribution to the formation and freeing of Wessex, Uhtred heads north, intent on carrying out the blood feud he swore in The Last Kingdom.

Fate, though, is not done with Uhtred just yet. In the north, he meets a slave, and, because it will irritate his enemies, Uhtred helps to free this man. This is only the beginning of the tangled web Fate weaves around Uhtred, as he quickly finds himself bound to yet another King -- a man who, unlike Alfred, Uhtred likes ... and a man who betrays Uhtred into slavery in order to secure what he feels is safety for his kingdom.

Uhtred finds himself, once again, bound to Alfred, as the King of Wessex comes to his aid, freeing him and reuniting him with Ragnar, the son of Uhtred's adopted Danish father and a man Uhtred loves like a brother. Uhtred now finds Fate has played one of her biggest jokes on him, as his desires seem to coincide with Alfred's wishes. Alfred unleashes Uhtred and Ragnar upon the north, depending upon them to do his work and bidding by killing the very men on whom they have both sworn the blood feud. And Uhtred finds himself, once more, charged with winning and building a kingdom.

Lords of the North is the third book in Bernard Cornwell's Saxon Tales series. I have to admit to going a bit out of order, as I read this book first. It is still my favorite of the three, but perhaps that's a bit of sentimentality on my part. At any rate, this book drew me into Uhtred's world so completely that I felt compelled to go out and buy and read the other two books right away. I purchased both of them on the very same day I completed Lords of the North, even though it entailed a near-midnight run to my local Borders store. That is how much I had to continue reading this story.

This book moves along at a fast pace, and Mr. Cornwell, as always, is a master of describing the action-packed battle scenes. Some writers would shy away from the brutality and violence of the Dark Ages war machine, but Cornwell does not. He tells a tale of epic proportions, and, in my opinion, he does it better than anyone else could. I could feel and hear the crashing of the shield walls, the screams of the men -- both victory and agony -- and the pounding of the hooves on the turf. Similarly, the sea scenes are sweeping and beautiful, both in their description and pacing. This is one of those novels that practically sings off the page. It draws you in so completely that you find yourself surprised and a bit disappointed when the tale comes to an end. At least, that's how I felt.

There is so much I like about Uhtred, as a character. I love how brutal and savage he is, and yet, he is a man who has dreams for his life and future -- even though he keeps these precious secrets close to himself -- and a man who has a very philosophical outlook on life. He knows he is nothing more than Fate's plaything, and he doesn't waste the energy worrying over that fact or trying to change it. He just goes with the flow, so to speak, following along wherever Fate might choose to send him. I love how Mr. Cornwell so skillfully paints a portrait of a man caught between two worlds -- a pagan in a Christian land; a man who is Danish in his heart and mind but Saxon in his loyalty and birth; a man who, more often than not, feels beseiged on all sides by the world around him; a man who hates with all his heart, but also loves with all his heart. Uhtred is proud and stubborn, and he doesn't try to pretend otherwise. He is a man who follows his own path, dictated to him by Fate, and who doesn't make excuses for himself or the rest of the world.

As I've said all along, I like Uhtred. I like him a lot. And, I hope his adventures continue, even though Lords of the North came to an end.
texchan: aya with his bazooka, from WK OP #2 (Bazooka Aya)
It was Svein, himself. Svein of the White Horse, and he turned the white horse and spurred toward me with his sword in his right hand. I could hear the hooves thumping, see the clods of wet turf flying behind, see the stallion's mane tossing, and I could see Svein's boar-masked helmet above the rim of his shield. Man and horse coming for me, and the Danes were jeering and just then Pyrlig shouted at me. "Uhtred! Uhtred!"
~The Pale Horseman, Bernard Cornwell


The Pale Horseman, the second book in Bernard Cornwell's Saxon Tales series, begins in the Spring of 877 and ends with the final battle between Alfred's forces and the Danes, culminating in Alfred's victory, which drove the Danish forces from Wessex and assured that kingdom's independence.

This story, as the first book in the series, continues from Uhtred's point of view. It is Alfred's story, but, in so many ways, it is even more Uhtred's story. This book, in the midst of all the fighting and politicking that occurs in the formation of a kingdom, also manages to further explore Uhtred's character and his tenuous relationship to Alfred.

We see Uhtred become a father and husband, even as his relationship with his wife -- who was forced on him by Alfred -- begins to wear thin and ragged. They are two personalities that are too distinct and too strong to co-exist. Each is adamant in their beliefs: Christianity for Uhtred's wife, and the pagan worship to which Uhtred has given himself. And, they are both too stubborn and proud to give way. Although they enjoyed a somewhat happy time together at the start of their marriage, Uhtred quickly tires of the kind of sedentary life Alfred desires for him. He is a savage man, wild and yearning for constant change, and he chafes at the constraints life in Wessex places upon him.

Mirroring the interaction he has with his wife, Uhtred's relationship with Alfred begins to deteriorate. It becomes more and more obvious that Uhtred neither respects nor likes Alfred. And, in many ways, those feelings are probably mutual. Uhtred is a skilled soldier, though, and a man who, in Alfred's opinion, is too brutal and valuable to set free. Thus, he continually conspires to keep Uhtred bound to him.

Fate seems to agree with Alfred. Each time Uhtred feels he will, finally, escape the bonds Alfred has put on him, Fate intervenes, tossing him once more into the path and servitude of the King of Wessex. In the end, Uhtred is forced to decide who and what he is. His heart might lie with the Danes, but he comes to realize he is a Saxon, and nothing can change that. As Uhtred is fond of saying: Fate is inexorable.

I found this book to be every bit as enjoyable and engaging as its predecessor, something that can be fairly rare in a book series. When I read a series of books, I often find I like the first book quite a lot, only to be a bit disappointed in the second. Not the case here, though. This book was every bit as brutal, violent, and action-packed as The Last Kingdom, and it also took the time to delve deeper into Uhtred's thoughts, desires, and life. I enjoyed that quite a lot, and I find I like Uhtred more and more with the turning of each page.
texchan: aya with his bazooka, from WK OP #2 (Manga Yohji Smoke)
"Mildrith was well. She was safe. She had not been raped. She wept when she saw me, and I took her in my arms and wondered that I was so fond of her, and she said she had thought I was dead and told me she had prayed to her god to spare me, and she took me to the room where our son was in his swaddling clothes, and, for the first time, I looked at Uhtred, son of Uhtred, and I prayed that one day he would be the lawful and sole owner of lands that are carefully marked by stones and by dykes, by oaks and by ash, by marsh and by sea. I am still the owner of those lands that were purchased with our family's blood, and I will take those lands back from the man who stole them from me and I will give them to my sons. For I am Uhtred, Earl Uhtred, Uhtred of Bebbanburg, and destiny is everything."

~The Last Kingdom, Bernard Cornwell

Late last night, I finished reading The Last Kingdom by Bernard Cornwell. It is a historical novel, beginning in the year 866 and continuing (approximately) through the year 877. It is the first novel in Cornwell's Saxon Tales series, which, so far, is three books long.

I really enjoy historical novels, although I know many people do not like them. Cornwell is one of my favorite authors, because I feel he manages to strike a nice balance between historical accuracy and the necessary fictionalization needed to create a novel, as opposed to a historical text. I have always found him to be a talented story teller, and it is easy for me to lose myself in the worlds he creates within the pages of his books.

This series of novels follows the Danish Invasion of England, the efforts of Alfred the Great to repel them, and the eventual creation of Alfred's kingdom through these efforts, all as told through the eyes of Uhtred, a fictional character who participated in the events. Last Kingdom opens with the Dane's incursion into Northumbria, which is Uhtred's home. Uhtred is ten at the time, and, upon his father's death, he is taken prisoner by the Danes. Far from being the horror-filled experience one might expect, Uhtred is taken in by one of the Danish earls, who treats him as a son and, for all intents and purposes, adopts him. Uhtred, who is a Saxon, comes to love the Danes with all his heart, and he thinks of himself as trapped between two worlds. On the one hand, in his heart, he is a Dane. He believes in their way of doing battle; he loves their way of life; he worships their gods. On the other hand, he is English -- born to that land, and, it seems, bound there by fate and his reluctant alliance with Alfred, whom he does not like.

Needless to say, I liked this book quite a lot. I actually read the third book in the series, Lords of the North first, although it was quite by accident. I happened upon it on a "New Release" table at my local Borders. The jacket information seemed engaging, and I thought it was either a stand-alone book or the first book in the series. I quickly discovered I was wrong, but I didn't care. I liked the book so much that I had to get the first two so that I could "catch up" on what I had missed.

I think Mr. Cornwell does an excellent job of pacing the novel. There is just enough description to set the tone and allow the reader a full escape into the world of Dark Ages England. He paints a lovely and complex tapestry of the lives, loves, and fears of his subjects, without getting too bogged down in minute details that would render the story boring. And, I think he is a master at depicting the sweeping, epic battle scenes that occurred during this time. He doesn't shy away from the brutality of war made with sickles and swords and axes ... of the crash of shield against shield, where the strongest man, always, will come out on top. This is a brutal world, and he doesn't hide that fact. At the same time, he finds the beauty in it, too. That is something, I think, not many authors could do.

I like Uhtred quite a lot. This book follows him as he grows from a boy of ten into a man and a warrior. Feeling surrounded on all sides by kneeling, praying Christians, Uhtred stubbornly clings to the old ways and the old gods. He refuses to live life on any other man's terms, possessing the arrogance and stubbornness of youth, which lead him to believe he can face and embrace life as he wishes -- even as he finds himself bound to a king he dislikes and only grudgingly respects. He feels life should be taken -- by strength and the sword. But, at the same time, he harbors doubts, fears, and hopes for his own future, all of which he keeps carefully guarded, close to his heart like a buried treasure hoard. Uhtred may stand between England and those that would cause her fall, but, in his heart, he is a Dane. A savage, brutal man. A man who whores and drinks and rapes and pillages and kills. A man you should fear ... and, yet, you can't help but like him.
texchan: aya with his bazooka, from WK OP #2 (Manga Yohji Smoke)
Some long over-due thoughts on Black Powder War. I finished the book a couple of weeks ago, but just haven't taken the time to jot down my thoughts until now.

This is the third installment in the Temeraire series by Naomi Novik, and tracks Temeraire and Lawrence as they travel home from China -- the long way. After receiving urgent orders to pick up some dragon eggs in Istanbul, Lawrence, Temeraire, and crew are forced to go overland, instead of returning to England by sea, as they had hoped. The journey is long and fraught with peril, from feral dragons -- who turn out to be a lot friendlier and more helpful than anyone had expected -- to unexpectedly flying, literally, into the very teeth of the war with Napoleon. They end up facing off with their nemesis from China, a white dragon named Lien, who blames them for the death of her human companion and has decided to fight for the French in order to gain revenge. And, they learn she is a much more formidable foe than they had initially given her credit for being. Not only is she determined, but she isn't satisfied with just killing Lawrence or Temeraire. She wants to see them suffer as she has, which means the loss of everything and everyone precious to them. By the end of the book, they still haven't made it home to England, but they have managed to evade their pursuers and are headed in the right direction. It seems they can practically smell the green of England's shores. Or, Scotland, as it were, as I believe that's where their covert is located. At any rate, you get the sense they are not far from home, and they are eager to return to familiar territory.

I have to admit, I was not quite as fond of this book as I was of the first two. I don't know why, really, but it left me with a rather hollow feeling by the end. Perhaps it was because, for all their struggle, they didn't seem to accomplish much of anything. They did manage to get the eggs they were sent after, although tragedy befell one of them. And, they did manage to get away from Lien and the French, although you know there will be many more encounters on that front in the future -- so nothing is resolved there, either ... not even in a small way. After hanging with them throughout the entire book, we don't even get the satisfaction of seeing them actually reach home, which would have been something. A small something, but something, nonetheless.

The relationship between Lawrence and Temeraire, as always, was wonderful -- warm and, yet, also fraught with some irritation and strain, just as you would expect from two friends who are living through the direst of circumstances. Stress like that can strain even the most solid relationship, and I thought the little struggles they endured lent a sense of realism to their friendship. In this book, I think the reader finally begins to see how complex their relationship is. There is a lot of depth there, and Ms. Novik explores that with flair and finesse.

The same goes for the relationship between Temeraire and his crew, and Temeraire and his fellow dragons. You get the sense that Temeraire, for all his power and strength, is still very much learning the ways of the world. I think Ms. Novik does a splendid job of balancing those two things -- huge, hulking strength and the innocence of a being that still has much to see in the world.

I liked the way Lien plotted and planned for her revenge, too. I believe it gave her quite a lot of depth as a character, and I'm looking forward to seeing more of her in the rest of the saga. Even though she has allied herself so brutally against our heroes, you can feel the sorrow that drives her rage. She has lost everything, and she can't see past that. She just wants everyone in the world to hurt like she does. Who among us hasn't felt that way a time or two? It's easy to understand her, and, really, I think Ms. Novik manages to paint her as a very sympathetic character. This isn't a story with any cut-and-dried bad guys here, and I like that.

All in all, a good read that I enjoyed. And, although not my favorite out of the series, I felt it pushed the story along, and it left me eagerly awaiting the next book.
texchan: aya with his bazooka, from WK OP #2 (Touch Me Touga)
Just wanted to jot down a couple of thoughts on the book I finished reading yesterday, as well as The Illusionist, which my hubby and I saw just this afternoon. No better way to spend a rainy day than seeing a movie. Well, I suppose reading a good book is just as nice, too. Which makes it somehow logical to combine these two topics here. After all, it's raining at my house, courtesy of Hurricane Ernesto; makes me feel like everything has come full circle, at least in this tiny way. Ain't life just strange like that sometimes?

First things first ...

The Undomestic Goddess by Sophie Kinsella.

I have to say I loved this book. It's such a funny read; I laughed all the way through it. I really identified with the heroine, Samantha Sweeting. And, if you have ever dreamed of just chucking it all and running away, I think you'll love this book, too. On the eve of her partnership into "The Big Law Firm", super finance attorney Samantha Sweeting makes a mistake of epic proportions, which ends up costing her client in a huge way. Samantha, always high-strung, is overwrought with guilt and unable to face what she has done. She goes into sort of an emotional meltdown, hopping the first train out of London, and getting off ... well, in some small village a few hours away. She has no idea, at first, where she is. She is nursing a migraine from hell and shell-shocked by the realization she has ruined her career, and, somehow, she manages to stumble into the Geiger household -- just when the Geigers are looking for a housekeeper. Somehow, Samantha, who hasn't the first clue with regard to any sort of housework, lands the job. And, in the process, she finds something she had believed lost for good -- her life.

OK. Confession time here. When I was in law school, I had this very vivid, recurring fantasy. Each time I was on my way to school, or on my way home ... really, whenever I was in the car. I would take nothing with me, but just get in the car and drive ... as far and as fast as I could. And, I would keep on driving until I ran out of gas. Wherever that happened to be, I would stop and get a job -- any kind of job -- until I had enough money to put gas in my car once more, and, then, I would drive again. Of course, I was in North Texas at the time, which meant that, should I drive until I ran out of gas, I would likely end up on the far side of Nowhere. Plus, I had "obligations" ... and people counting on me to "do the right thing". So, in my heart, I knew it could never happen. Besides, you can't really run away from yourself or the life you pick. Even so, this little fantasy/daydream, as simple as it was, sustained me through three years of law school and, then, through a couple of really horrid jobs in the legal profession. Needless to say, I identified with Samantha right away. I think that made this book that much more enjoyable for me -- because she succeeded in doing what I never could. For that, I love her and cheer her on whole-heartedly. But, even if you're not a lawyer, if you have ever had a horrible job or a terrible boss or just a shitty day, I think you can identify with that urge to run away from it all. It's a really attractive idea, even though, as we grow up, we realize we can't run away from ourselves. No matter how far we run or where we go ... we're always there waiting for ourselves at the end of the line.

The Illusionist

I have only three words for The Illusionist, starring Edward Norton and Jessica Biehl, and they are this:

SEE THIS MOVIE!

With a rainy afternoon ahead of us, my husband and I decided to catch a flick. My mom is visiting, so we have kiddo-free time -- something rare in our household at the moment. Since we hardly ever get to go out, we haven't kept track of the movies, although my hubby had heard a little bit of positive buzz about this one. On the whole, though, I went into it with no expectations. I had heard nothing, and I knew next to nothing about the film.

This movie just blew me away. I'm not a big fan of Jessica Biehl, but she was tremendous in the role of Sophie. Edward Norton, as always, was a master in the title role. I thought the film had a marvelous supporting cast, the scenery was beautiful, and the movie was beautifully shot. The plot was an illusion in and of itself, and I do mean that as a compliment. At first, it seemed like such a straighforward premise. It's not until the very end of the movie that you realize exactly how intricately worked and woven this story is. The word "graceful" comes to mind when I think of a way to describe the movie's plot. This was one of those rare movies that draws you right into the picture ... where you look up at the end of the film, surprised to find yourself in the here-and-now with a couple of hours having passed you by.

So, really ...

SEE THIS MOVIE!!
texchan: aya with his bazooka, from WK OP #2 (Default)
I finished reading Diary, by Chuck Palahniuk, a couple of weeks ago, but I rather neglected putting any of my thoughts in here. Mainly because I could not figure out exactly what I thought about this book. I figured I would give myself some time to figure things out. Which I did.

...

So, now, two weeks later, I can say, with a straight face, that I have no idea what I think about this book. Don't get me wrong. It's not a bad book. It's well-written and, well, a rather fascinating look at the "descent into madness" that comes with being creative or seriously pursuing any creative endeavor. The obsession ... the pain ... the torture of the creative mindset. Of course, in Diary these things mainfest themselves very literally, in the physical world and body of the main character, Misty Marie Wilmot. The thing that makes this story so fascinating (in that "can't-look-away-from-the-train-wreck" sort of way) is that Misty has a generous helping hand along her pathway toward creative obsession, from her in-laws and the rest of the people on the tiny island where she lives. An island she is supposed to, somehow, "save" with her art. The book ends in a hugely surprising, grand fashion that was ... well, shocking. I kind of hate to admit it managed to shock me. I mean, considering everything else that happened during this story, I should not have been surprised at anything. And yet, I was. Very surprised.

All in all, this one is a worthy read, although I hesitate to recommend it. I mean, it's a book you will either love or hate, I suspect. And, if you like to look for meaning in the fiction you read, you won't find it in here. In true nihilistic fashion, this book points out the oddity of life and the way in which most of our actions, in the end, have no meaning -- no matter how much we like to believe otherwise.

I will say, though, that I, literally, could not put this book down. I felt a bit awkward and ashamed at the very intimate portrait of the twisted lives and desires contained within its covers, but, even so, I could not look away. The story and writing style captivated me and kept me turning the pages, even when I wasn't sure I wanted to.
texchan: aya with his bazooka, from WK OP #2 (Default)
Just finished reading Throne of Jade, the second book in the Temeraire series, by Naomi Novik.

All right ... I have to be honest and up front here. I was wrong about Laurence. I suppose it just took two books, but the guy really grew on my by the end of this second novel. Once you get past his rather stuffy exterior, he seems to be quite good-hearted. And, he is heroic to a fault ... although, that might be one reason to dislike him. *nervous laugh*

In this book, he and Temeraire journey to China and become embroiled in a plot to overthrow the Emperor. "Embroiled" as in they stumble around in true Western fashion and succeed in exposing the whole thing, not to mention saving the day. The only thing that keeps them from being incredibly irritating is that they seem to perform all of these heroics by accident, which I found quite charming. Plus, it's so true to life in many ways. I mean, how many times do we hear about how it's better to be lucky than good? Being in the right place at the right time, often, can make the difference between success and failure. And, Laurence and Temeraire are both -- lucky and good.

Needless to say, I adored this book, too. I think I liked it better than the first novel, just because I finally felt more comfortable with Laurence's personality and character, which was a huge relief.

Anyhoo, in case anyone's interested, this one is most definitely worth a read!!
texchan: aya with his bazooka, from WK OP #2 (Default)
I just finished reading His Majesty's Dragon.

Needless to say, I enjoyed it immensely. I stayed up until 3 in the blessed AM to finish it, after all! Plus, it lured me away from my self-imposed "writing time". Grr. Still, only a really terrific book could do that. This one fit the bill, too. I can't wait to read the next one in the series.

I loved Temeraire, the dragon character. I particularly loved how ungodly smart he was. And, the relationship between him and his "person", Laurence, was delightful, heartwarming, and so incredibly sincere. I think it's one of the best "friendship" or "buddy" stories I've read in a long time, made even more so by the fact that this is a friendship between two completely different species. I also liked the camaraderie the author wrote into the Aerial Corps. It would make sense that people so attached to these amazing creatures would form a very informal way of dealing with each other. And, it also makes complete sense that they would, over time, form a very tight-knit association. I found Laurence's induction into the Corps very interesting and well-written. It gave me those feelings of coming to a new place or a new part of my life, without knowing what to expect. Not sure if that makes any sense or not, but ... *shrug*. I enjoyed the way he had to work into the "fellowship" of the Corps, which makes so much more sense than having him fit in right off the bat. I mean, he was from a completely different branch of the service, after all.

The one big drawback to the book, for me, was Laurence, himself. I have to confess, even after slogging through several battles, uncomfortable social situations, and 342 pages with him, I don't think I care for the man. Which is too bad, since he's one of the main characters. If it wasn't for his devotion to and relationship with Temeraire, I am not sure I would have been able to read the book. I found Laurence to be too stiff and stodgy, and too concerned with appearance. He seemed like such a pompous jerk most of the time. Although, I suppose his formality and way of approaching those around him makes sense, considering his upbringing and status in society. Even so, I found it hard to develop any sort of attachment to him as a character. I think he was beginning to loosen up quite a bit by the end of the book, so I'm hoping he'll be easier to take in the second book.

But, Temeraire ... so, so wonderful! Did I mention I loved that character? *grin*
texchan: aya with his bazooka, from WK OP #2 (Sanzo Gun Repro)
This is sort of a new thing for me, but I'm hoping I can continue doing it. I thought it would be fun to chronicle the books I've read, especially since I have been making more of an effort during the past year to take the time out for reading. I was keeping a separate book journal (on paper) with a synopsis and thoughts on the books I had read. But, seeing as how I do almost everything here in LJ these days, I figured it was only fitting to include my book stuff in here, too. So ... that's the explanation behind this strangeness. And, you guys can read on if you like ... or you can just ignore my rather mindless ramblings. *silly grin*

Read more... )

July 2012

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